_____

 

SOLO WORKS (14)

_____

 

 

 

_____

METAMORPHOSIS AND RESONANCES FOR PIANO (2014)

for piano solo (6’30”)

premiered by Cândido Fernandes; January 6th, 2014; Auditório Vianna da Motta (Lisbon, Portugal)

recorded by Cândido Fernandes, in “Metamorphosis and Resonances” CD HVR.02

 

 

_____

METAMORPHOSIS AND RESONANCES FOR VIOLA (2015)

for viola solo (5’00”)

commissioned by “Antena 2/Prémio Jovens Músicos” 2016 (Lisbon, Portugal)

premiered by Prémio Jovens Músicos 2015; July 19th, 2015; Casa da Música (Porto, Portugal)

recorded by Lourenço Macedo Sampaio, in “Metamorphosis and Resonances” CD HVR.02

 

 

_____

METAMORPHOSIS AND RESONANCES FOR FLUTE (2015)

for flute solo (4’30”)

premiered by Monika Streitová; November 30th, 2017; Museu de São Roque (Lisbon, Portugal)

recorded by Monika Streitová, in “Metamorphosis and Resonances” CD HVR.02

 

 

_____

METAMORPHOSIS AND RESONANCES FOR CELLO (2016)

for cello solo (10’00”)

written for Filipe Quaresma

premiered by Filipe Quaresma; April 6th, 2019; O’Culto da Ajuda (Lisbon, Portugal)

recorded by Filipe Quaresma, in “Metamorphosis and Resonances” CD HVR.02

 

 

_____

METAMORPHOSIS AND RESONANCES FOR BASS CLARINET (2017)

for bass clarinet solo (8’30”)

written for Frederic Cardoso

premiered by Frederic Cardoso; December 5th, 2017; Conservatório de Música de Paredes (Paredes, Portugal)

recorded by Frederic Cardoso, in “Metamorphosis and Resonances” CD HVR.02 and “Mixed Dialogues” CD Frederic Cardoso

 

 

_____

METAMORPHOSIS AND RESONANCES FOR HARP (2017)

for harp solo (6’00”)

selected work in “Future Blend Project” 2017 (Warwick, England)

selected work in “International Society for Contemporary Music – World Music Days 2019” (Tallinn, Estonia)

premiered by Becki Mcllory; January 6th, 2018; The Lord Leycester (Warwick, UK)

recorded by Ana Castanhito, in “Metamorphosis and Resonances” CD HVR.02

 

 

_____

METAMORPHOSIS AND RESONANCES FOR ACCORDION (2017)

for accordion solo (9’00”)

prized in “Folefest Composition Competition” 2017 (Lisbon, Portugal)

selected work in “Festival Risuonanze 2018” (Udine, Italy)

premiered by Paulo Jorge Ferreira; February 7th, 2018; Teatro Trindade (Lisbon, Portugal)

recorded by Paulo Jorge Ferreira, in “Metamorphosis and Resonances” CD HVR.02

 

 

_____ 

METAMORPHOSIS AND RESONANCES FOR GUITAR (2017)

for guitar solo (9’00”)

written for Pedro Rodrigues

recorded by Pedro Rodrigues, in “Metamorphosis and Resonances” CD HVR.02

 

 

_____ 

MICRO IMAGES FOR PIANO (2017)

for piano solo (1’00”)

written for Martin Tchiba

premiered by Martin Tchiba; May 17th, 2018; Main Hall (“Großer Sendesaal”) of SR Radio (Saarbrücken, Germany)

 

 

_____

MICRO IMAGES FOR GUITAR (2017)

for guitar solo (2’00”)

premiered by Luís Miguel Leite; December 21st, 2018; Auditório da Academia de Música de Vizela (Vizela, Portugal)

recorded by Luís Miguel Leite, in “Música Contemporânea Portuguesa para Guitarra” CD Luís Miguel Leite and José Teixeira

 

 

_____

MICRO IMAGES FOR CELLO (2018)

for cello solo (1’00”)

premiered by Miloz Drogowski; June 14th, 2018; Lisboa Incomum (Lisboa, Portugal)

 

 

_____

MICRO IMAGES FOR SOPRANO (2020)

for soprano (2’00”)

written for  Sophia Beatrice Falk

 

 

_____

MICRO IMAGES FOR ACCORDION (2020)

for accordion solo (1’30”)

written for Ghenadie Rotari

 

 

 _____

MICRO IMAGES FOR HALF CLARINET (2021)

for half clarinet solo (2’30”)

written for Victor Pereira

 

 

 

_____

 

CHAMBER WORKS (38)

_____

 

 

 

_____

O HORIZONTE DE UMA BORBOLETA (2014)

for flute, violin and piano (5’00”)

selected work in “ESML Chamber Music” 2015 (Lisbon, Portugal)

premiered by Dina Hernandez (flute), João Cunha (violin) and Cândido Fernandes (piano); March 11th, 2015; Teatro-Estúdio Mário Viegas (Lisbon, Portugal)

recorded by David Silva, Francisco Henriques and Cândido Fernandes, in “Chamber Music I” CD HVR.05

 

 

_____

ENIGMATIC ICON (2015)

for percussion and electronics (14’00”)

selected work in “Ecos de um Meta-Tempo” 2016 (Lisbon, Portugal)

premiered by Cristiano Rios, Pedro Tavares (percussion) and Hugo Vasco Reis (electronics); July 8th, 2016; Panteão Nacional (Lisboa, Portugal)

recorded by Drumming – Grupo de Percussão, in “Chamber Music I” CD HVR.05

 

 

_____

FROM WHERE THE WIND BLOWS (2016)

for two clarinets (8’00”)

recorded by Víctor Pereira and Ricardo Alves, in “Chamber Music I” CD HVR.05

 

 

_____

TRANSPARENT(E) (2017)

for flute, viola and harp (14’00”)

prized in “New Gallery Concert Series Composition Competition” 2017 (Boston, USA)

selected in “Portuguese Association of Composers” Call for Scores 2018 (Lisbon, Portugal)

premiered by Jessi Rosinski (flute), Asheigh Gordon (viola) and Amanda Romano (harp); April 14th, 2018; Cambridge Art Association (Boston, USA)

recorded by Lisbon Ensemble 20.21 (Marina Camponês, Ana Monteverde and Carolina Coimbra), in “Chamber Music I” CD HVR.05

 

 

_____

AEONIAN (2018)

for SATB and electronics (12’00”)

commissioned by Coro Setúbal Voz

premiered by Coro Setúbal Voz; Conductor: Jorge Salgueiro; March 28th, 2018; (Setúbal, Portugal)

 

 

_____

MICRO IMAGES FOR CONTRABASS FLUTE, CONTRABASS CLARINET AND CONTRABASSOON (2018)

for contrabass flute, contrabass clarinet and contrabassoon (2’30”)

written for Rarescale Ensemble (Carla Rees, Sarah Watts and Ashley Myall)

premiered by Rarescale Ensemble; June 21st, 2018; St. James Church, Sussex Gardens (London, England)

 

 

_____

RIZOMA (2018)

for violin, cello and piano (15’00”)

commissioned by Musicamera (Emerging Composer Program 2018)

premiered by Luís Pacheco Cunha (violin), Catherine Synck (violoncello), Jill Lawson (piano); Conductor: Brian Mac; December 10th, 2018; (Lisboa, Portugal)

recorded by Luís Pacheco Cunha (violin), Catherine Synck (violoncello), Jill Lawson (piano), in “Chamber Music I” CD HVR.05

 

 

_____

SOME LINES MIXING A COLOR (2019)

for soprano, saxophone, accordion, viola and violoncello (8’00”)

commissioned by Síntese GMC

premiered by Síntese – Grupo de Música Contemporânea; May 3rd, 2019; (Guarda, Portugal)

recorded by Hugo Vasco Reis, in “Voices and Landscapes” CD HVR.06

 

 

_____

MICRO IMAGES FOR VIOLA AND PIANO (2019)

for viola and piano (2’00”)

premiered by Aleksandra Demowska-Madejska and Andrzej Karałow; July 26th, 2019; SYNTHETIS 2019 (Radziejowice, Poland) 

 

 

_____

QUASI RITORNO (2019)

for guitar trio (8’30”)

written for Trio Elogio

supported by Sociedade Portuguesa de Autores

premiered by Trio Elogio; November 11st, 2022; Cultural Centre Osijek (Osijek, Croatia)

 

 

_____

MICRO IMAGES CLARINET AND CELLO (2019)

for clarinet and cello (1’30”)

 

 

_____

COLORS SEEN IN SILENCE I (2019)

for clarinet and piano (7’00”)

written for Victor Pereira and Vítor Pinho

supported  by Sociedade Portuguesa de Autores

premiered by Victor Pereira (clarinet) and Vítor Pinho (piano); September 21st, 2019; (Castelo de Paiva, Portugal)

 

 

_____

PAISAGENS, QUERO-AS COMIGO (2019)

for flute, clarinet, percussion, harp, piano, mezzo soprano, violin, viola and cello (9’00”)

prized in “GMCL/Jorge Peixinho International Composition Competition” 2019 (Lisbon, Portugal)

premiered by Grupo de Música Contemporânea de Lisboa; November 21st, 2019; Museu da Música (Lisbon, Portugal)

recorded by Hugo Vasco Reis, in “Voices and Landscapes” CD HVR.06

 

 

_____

DIMENSIONS I (2020)

for clarinet and electronics (8’00”)

written for Victor Pereira

supported  by Sociedade Portuguesa de Autores

premiered by Victor Pereira; January 14th, 2020; Casa da Música (Porto, Portugal)

 

 

_____

COLORS SEEN IN SILENCE II (2020)

for flute and piano (7’30”)

written for Marco Pereira and Lígia Madeira

supported  by Sociedade Portuguesa de Autores

premiered by Marco Pereira and Lígia Madeira (flute) and (piano); February 14th, 2020; (V.N. Gaia, Portugal)

 

 

_____

CALIGRAFIA DO VENTO (2020)

for bass flute, bass clarinet, guitar and cello (8’30”)

written for Collective Lovemusic

supported  by Collective Lovemusic and Sociedade Portuguesa de Autores

 

 

_____

THE POETRY OF AN IMPULSE (2020)

for electric guitar, theorbo, accordion and electronics (7’00”)

written for Azione_Improvvisa Ensemble

supported  by Sociedade Portuguesa de Autores

premiered by Azione_Improvvisa Ensemble; January 31st, 2021; Teatro don Bosco (Pergine Valsugana, Italy)

 

 

_____

LABYRINTH OF STILLNESS (2020)

for harp, harpsichord and kannel (9’00”)

written for Una Corda Ensemble

supported  by Sociedade Portuguesa de Autores

 

 

_____

SLEEPING LANDSCAPES (2020)

for choir (8’56”)

written for Nova Era Vocal Ensemble

supported  by Sociedade Portuguesa de Autores, Direção Geral das Artes and Câmara Municipal de Lisboa

recorded by Hugo Vasco Reis, in “Voices and Landscapes” CD HVR.06

 

 

_____

OCEANO NOX (2020)

for soprano, flute, cello and piano (8’00”)

commissioned by Borealis Ensemble

premiered by Borealis Ensemble; October 1st, 2020; Casa das Artes (V.N. Famalicão, Portugal)

recorded by Hugo Vasco Reis, in “Voices and Landscapes” CD HVR.06 

 

 

_____

CARTA AOS REMANESCENTES (2021)

for soprano, saxophone, accordion, viola, cello, audience and electronics (15’00”)

commissioned by Síntese GMC

premiered by Síntese GMC; June 6th, 2021; Aldeia do Bispo (Guarda, Portugal)

 

 

_____

DIMENSIONS II (2021)

for saxophone and electronics (10’00”)

written for Henrique Portovedo

supported  by DGArtes and Sociedade Portuguesa de Autores

premiered by Henrique Portovedo; May 9th, 2021; Museo Lazaro Galdiano (Madrid, Spain)

 

 

_____

EMBRACING LINES (2021)

for clarinet, cello and harp (9’00”)

written for Collegium Novum Zürich and ZHdK project

premiered by Collegium Novum Zürich; October 30th, 2021; Tonhalle (Zurich, Switzerland)

 

 

_____

MÚSICA PARA UMA PASSAMANARIA (2021)

for flute and bassoon (5’00”)

commissioned by MPMP Património Musical Vivo

premiered by Ensemble MPMP (Rui Maia and Ricardo Santos); July 30th, 2021; Galeria Appleton (Lisbon, Portugal)

 

 

_____

SCULPTURE FOR A WHILE (2021)

for flute, bass clarinet, violin, cello, water, stones, sticks and amplification (15’00”)

commissioned by Vertixe Sonora

supported by DGAArtes an SPAutores

premiered by Vertixe Sonora; October 2nd, 2021; Festival Mixtur (Barcelona, Spain)

 

 

_____

MICRO IMAGES FOR CELLO AND PIANO (2021)

for cello and piano solo (3’30”)

commissioned by Duo Sigma (Miguel Rocha and Ana Cláudia Assis)

 

 

_____

OUTONO DISRUPTIVO (2021)

for recorder, cello and piano (5’00”)

commissioned by Trio Piazzolla Lisboa

premiered by Trio Piazzolla Lisboa; December 19th, 2021; Conservatório de Música de Seia (Seia, Portugal)

 

 

_____

DIMENSIONS IV (2022)

for violoncello and electronics (13’00”)

written for Katharina Gross

supported  by Sociedade Portuguesa de Autores, Momento Fondation and Gaudeamus

premiered by Katharina Gross; July 31st, 2022; Drein in Eins Festival (Kassel, Germany)

 

 

_____

MICRO IMAGES FOR TWO VIOLINS (2022)

for two violins (3’00”)

written for Robert Kowalski

commissioned by Orchestra della Svizzera Italiana

premiered by Robert Kowalski; September 11st, 2022; Villa Diodati (Cologny, Switzerland)

 

 

_____

MICRO IMAGES FOR VIOLIN AND ELECTRONICS (2022)

for violin and electronics (2’24”)

commissioned by Arte no Tempo

premiered by Mercedes Canhoto; May 21st, 2022; Teatro Aveirense (Aveiro, Portugal)

 

 

_____

DIMENSIONS III (2023)

for bass recorder and electronics (8’00”)

written for António Carrilho

supported  by Sociedade Portuguesa de Autores and Ministry of Culture of Portugal 

 

 

_____

STRING QUARTET N.1 (2023)

for 2 violins, viola and violoncello (12’00”’)

commissioned by Quarteto de Cordas Contemporâneo

premiered by Quarteto de Cordas Contemporâneo; July 2nd, 2023; Museu Monográfico (Conímbriga, Portugal)

 

 

_____

FIGURAS RECONFIGURADAS (2023)

for indeterminate ensemble (10’00” to 20’00”)

commissioned by Sintese GMC and Collective Lovemusic

supported by Ministry of Culture of Portugal 

premiered by Sintese GMC and Collective Lovemusic; October 28th, 2023; Musée d’Art moderne et contemporain de Strasbourg (Strasbourg, France)

 

 

_____

DIÁLOGOS DA ÁRVORE (2023)

for indeterminate ensemble (12’00” to 20’00”)

commissioned by Festival Síntese

premiered by Fragmentos Ensemble; November 8th, 2023; Teatro Municipal da Guarda (Guarda, Portugal)

 

 

_____

COMMUNICATION 16.7 HERTZ (2024)

for percussion, piano, amplification and electronics (17’00”)

commissioned by Duo NadaContra

premiered by NadaContra (Francisco Cipriano and Mrika Sefa); February 3rd, 2024; O’culto da Ajuda (Lisbon, Portugal)

 

 

_____

MEDIAÇÕES POÉTICAS (2024)

for percussion quartet (45’00”)

commissioned by Pedro Vaz

premiered by Drumming – Grupo de Percussão; March 2nd, 2024; Carpintarias de São Lázaro (Lisbon, Portugal)

 

 

_____

LABIRINTO DA METÁFORA (2024)

for flute, clarinet, percussion, piano, violin, viola, violoncello and electronics (17’00”)

commissioned by Miso Music Portugal

premiered by Sond’Ar-te Electric Ensemble; May 4th, 2024; Festival Música Viva, Oculto da Ajuda (Lisbon, Portugal)

 

 

_____

ELEMENTOS DE RITUALIZAÇÃO (2024)

for recorders, pianoforte and portuguese guitar (8’00”)

commissioned by Borealis Ensemble

premiered by Borealis Ensemble (feat. Hugo Vasco Reis); October 20th, 2024; Convento dos Remédios (Évora, Portugal)

 

 

 

_____

 

ORCHESTRAL WORKS (2)

_____

 

 

 

_____

O PENSAMENTO DE SI (2015)

for orchestra (5’00”)

selected work in “ESML Symphonic Orchestra” 2015 (Lisbon, Portugal)

premiered by Orquestra Sinfónica da Escola Superior de Música de Lisboa; Conductor: Vasco Pearce de Azevedo; June 6th, 2015; Auditório Vianna da Motta (Lisbon, Portugal)

 

 

_____

AN IMAGINARY IMPULSE (2017)

for orchestra (16’00”)

 

 

 

_____

 

ACOUSMATIC WORKS (12)

_____

 

 

_____

MOMENT(O) ZERO (2015)

for acousmatic (5’02”)

premiered by Hugo Vasco Reis; June 30th, 2018; Lisboa Incomum (Lisboa, Portugal)

recorded by Hugo Vasco Reis, in “I am (k)not ” CD HVR.03

 

 

_____

A COR DO PENSAMENTO (2016)

for acousmatic (9’15”)

selected work in “Matera Intermedia Festival 2016” (Matera, Italy)

premiered in December 17th to 22nd, 2016; Casa Cava Auditorium; MATERA INTERMEDIA FESTIVAL 2016 (Matera, Italy)

recorded by Hugo Vasco Reis, in “I am (k)not ” CD HVR.03

 

 

_____

SÚBITA ESCURIDÃO (2017)

for acousmatic (5’05”)

premiered by Hugo Vasco Reis; October 28th, 2017;Lisboa Incomum (Lisbon, Portugal)

recorded by Hugo Vasco Reis, in “I am (k)not ”CD HVR.03

 

 

_____

PULSAÇÃO INFINITA (2018)

for acousmatic (7’57”)

premiered by Hugo Vasco Reis; June 30th, 2018; Lisboa Incomum (Lisboa, Portugal)

selected work in “Sonic Matter Festival 2021” (Zurich, Switzerland)

recorded by Hugo Vasco Reis, in “I am (k)not ” CD HVR.03

 

 

 

_____

ECO DE CRISTAL (2018)

for acousmatic (8’31”)

premiered by Hugo Vasco Reis; December 20th, 2018; O´culto da Ajuda (Lisboa, Portugal)

selected work in “Sonic Matter Festival 2021” (Zurich, Switzerland)

recorded by Hugo Vasco Reis, in “I am (k)not ” CD HVR.03

 

 

 

_____

SONS UMBILICAIS (2018)

for acousmatic (12’42”)

premiered by Hugo Vasco Reis; December 20th, 2018; O´culto da Ajuda (Lisboa, Portugal)

selected work in “Sonic Matter Festival 2021” (Zurich, Switzerland)

recorded by Hugo Vasco Reis, in “I am (k)not ” CD HVR.03

 

 

_____

POLYPHONIC MASS (2021)

for acousmatic (10’20”)

premiered by Hugo Vasco Reis; January 17th, 2021; Hochschule für Musik Dresden (Dresden, Germany)

recorded by Hugo Vasco Reis, in “Voices and Landscapes” CD HVR.06

 


_____

FIVE PLACES ABOUT FRAGILITY I (2022)

for acousmatic (12’00”)

premiered by Hugo Vasco Reis; July 3rd, 2022; Museu Municipal de Vila de Rei (Vila de Rei, Portugal)

commissioned by Academia de Produtores Culturais

supported by Fôlego, European Union Grants, DGArtes, Ministry of Culture of Portugal and Município de Vila de Rei



_____

FIVE PLACES ABOUT FRAGILITY II (2022)

for acousmatic (12’00”)

premiered by Hugo Vasco Reis; July 10th, 2022; Museu Municipal de Oleiros (Oleiros, Portugal)

commissioned by Academia de Produtores Culturais

supported by Fôlego, European Union Grants, DGArtes, Ministry of Culture of Portugal and Município de Vila de Rei



_____

FIVE PLACES ABOUT FRAGILITY III (2022)

for acousmatic (12’00”)

premiered by Hugo Vasco Reis; July 17th, 2022; Museu Municipal de Proença-a-Nova (Proença-a-Nova, Portugal)

commissioned by Academia de Produtores Culturais

supported by Fôlego, European Union Grants, DGArtes, Ministry of Culture of Portugal and Município de Vila de Rei



_____

FIVE PLACES ABOUT FRAGILITY IV (2022)

for acousmatic (12’00”)

premiered by Hugo Vasco Reis; July 31st, 2022; Museu Municipal de Mação (Mação, Portugal)

commissioned by Academia de Produtores Culturais

supported by Fôlego, European Union Grants, DGArtes, Ministry of Culture of Portugal and Município de Vila de Rei



_____

FIVE PLACES ABOUT FRAGILITY V (2022)

for acousmatic (12’00”)

premiered by Hugo Vasco Reis; August 7th, 2022; Museu Municipal da Sertã (Sertã, Portugal)

commissioned by Academia de Produtores Culturais

supported by Fôlego, European Union Grants, DGArtes, Ministry of Culture of Portugal and Município de Vila de Rei



 

_____

 

COLLABORATIONS WITH FINE AND VISUAL ARTISTS (2)

_____

 

 

_____

MUSIC FOR THE INSTALLATION “NUM ÚNICO ACORDE” BY PEDRO VAZ (2021)

for an installation (45’00”)

written for Pedro Vaz

 

 

_____

MUSIC FOR THE INSTALLATION “FILM BOOK FILM” BY TATIANA MACEDO (2021)

for transmedial artwork (7’17”)

written for Tatiana Macedo

 

 

_____

 

WORKS FOR PORTUGUESE GUITAR (17)

_____

 

 

_____

SUITE N.1 FOR PORTUGUESE GUITAR (2013)

for portuguese guitar solo (11’00”)

recorded by Hugo Vasco Reis, in “Poema Anacrónico” CD HVR.01

 

 

_____ 

EC(H)O (2018)

for portuguese guitar solo (6’30”)

recorded by Hugo Vasco Reis, in “O Espaço da Sombra” CD HVR.04

 

 

_____

SÚBITO (2018)

for portuguese guitar solo (6’00”)

recorded by Hugo Vasco Reis, in “O Espaço da Sombra” CD HVR.04

 

 

_____

MICRO IMAGES FOR PORTUGUESE GUITAR (2018)

for portuguese guitar solo (1’30”)

recorded by Hugo Vasco Reis, in “O Espaço da Sombra” CD HVR.04

 

 

_____

TRÊS FRAGMENTOS (2018)

for two portuguese guitars (2’00”)

recorded by Hugo Vasco Reis , in “O Espaço da Sombra” CD HVR.04

 

 

_____

RELEVOS ONÍRICOS (2018)

for portuguese guitar and piano (10’30”)

recorded by Hugo Vasco Reis and António Victorino d’Almeida, in “O Espaço da Sombra” CD HVR.04

 

 

_____

MEMÓRIA EM LABIRINTO (2018)

for portuguese guitar and piano (5’30”)

recorded by Hugo Vasco Reis and Cândido Fernandes, in “O Espaço da Sombra” CD HVR.04

 

 

_____

LINEA (2018)

for portuguese guitar solo (15’00”)

premiered by Hugo Vasco Reis; January 17th, 2020, Conservatório de Música de Vila do Conde (Vila do Conde, Portugal)

recorded by Hugo Vasco Reis, in “O Espaço da Sombra” CD HVR.04

 

 

_____

TABULA RASA (2018)

for portuguese guitar solo (3’30”)

recorded by Hugo Vasco Reis, in “O Espaço da Sombra” CD HVR.04

 

 

_____

FINOS RAIOS DE LUZ (2018)

for portuguese guitar and electronics (6’30”)

premiered by Hugo Vasco Reis; January 17th, 2020, Conservatório de Música de Vila do Conde (Vila do Conde, Portugal)

recorded by Hugo Vasco Reis, in “O Espaço da Sombra” CD HVR.04

 

 

_____

A SOLIDÃO DE UM PÊNDULO (2021)

for portuguese guitar, bow, glass, microphones, electronics and loudspeakers (7’00”)

recorded by Hugo Vasco Reis, in “Tateabilidade” CD HVR.07

 

 

_____

DIFRAÇÃO (2021)

for portuguese guitar, e.bow, glass, aluminium paper and steel string, electronics and loudspeakers (7’30”)

recorded by Hugo Vasco Reis, in “Tateabilidade” CD HVR.07

 

 

_____

CORDAS EM RUÍNAS (2021)

for portuguese guitar, stones, electronics and loudspeakers (8’00”)

recorded by Hugo Vasco Reis, in “Tateabilidade” CD HVR.07

 

 

_____

FIGURAS AUSENTES (2021)

for portuguese guitar, clarinet, percussion and electronics (4’00”)

recorded by Hugo Vasco Reis, in “Guitarra Portuguesa” CD Seven Muses



_____

MANIFESTO (2022)

for portuguese guitar, nail files, superball, electronics and loudspeakers (9’00”)

recorded by Hugo Vasco Reis, in “Tateabilidade” CD HVR.07



_____

ITERAÇÃO (2023)

for portuguese guitar and electronics (3’00”)



_____

PELE (2023)

for portuguese guitar, bow, cymbal, electronics and loudspeakers (9’00”)

recorded by Hugo Vasco Reis, in “Tateabilidade” CD HVR.07

 

 

 

 

_____

 

SCORES

_____

 

All scores are available

for more informations, please contact directly the composer